TRANSMISSION_LOG // FREQUENCIES

FREQUENCIES

COMPOSER_INTERVIEWS // SOUND_DESIGN_DISPATCHES // STUDIO_PROCESS

SIGNAL_STATUS: ACTIVE // TRANSMISSION_ONGOING
[ SIGNAL ESTABLISHED: FREQUENCIES // EDITORIAL_DISPATCH ]

Frequencies is the SonalSystem editorial channel — a series of in-depth conversations with the composers, sound designers, and producers who operate at the intersection of technology and craft.

These are not press releases. Each dispatch goes deep into Process, Tools, and Aesthetic Philosophy — the decisions behind the work, not just the work itself.

// COMPOSER_INTERVIEWS

Extended conversations with film, television, and game composers. Focus on scoring workflow, synthesis in cinematic contexts, and the evolving tools of the trade.

LONG_FORM
INDUSTRY_DEPTH

// SOUND_DESIGN DISPATCHES

Deep dives into synthesis technique, hardware signal paths, and the craft of building sonic identities from the ground up. Hardware, software, and everything between.

TECHNICAL_DEPTH
PROCESS_FOCUSED

// STUDIO_PROCESS NOTES

A look inside working studios — how professional producers structure sessions, approach sound libraries, and navigate the space between creative instinct and technical precision.

WORKFLOW
STUDIO_INSIGHT

// ARTIST_SPOTLIGHTS

Features on the artists who contribute to the SonalSystem catalog — understanding who made the sounds, why, and the philosophy that shapes what ends up in your session.

CONTRIBUTOR_FOCUS
CATALOG_CONTEXT
EDITORIAL_FOCUS: CRAFT, PROCESS, AND TOOLS — NOT HYPE OR PRODUCT ANNOUNCEMENTS
GUEST_PROFILE: WORKING PROFESSIONALS — COMPOSERS, SOUND DESIGNERS, PRODUCERS
FORMAT: LONG-FORM INTERVIEWS // STUDIO DISPATCHES // PROCESS BREAKDOWNS
[ EDITORIAL NOTE ] Frequencies publishes weekly — one to three dispatches per transmission cycle. Each entry is selected for depth and direct relevance to the professional production community. Subscribe to the SonalSystem newsletter to be notified when new transmissions go live.
STATUS: // TRANSMISSION ACTIVE CHANNEL: // FREQUENCIES_EDITORIAL_SYSTEM
Dave Linnenbank hero image

Inside Bitwig Studio 6: Dave Linnenbank on Clip Aliases, Automation, and the Grid

Bitwig Product Manager Dave Linnenbank explains the musical logic driving Bitwig Studio 6's Clip Aliases, Automation Clips, and Key Signature features. He also discusses writing the manual, teaching at Berklee, and why stepping away from the screen sharpens system design.
Close-up of a single glowing curved line etched into a scratched dark metal surface.

Let the Curve Do the Work

Automation gets treated as a mixing chore, added after the arrangement is finished. Designed at the same time as the notes, it's the difference between a cue that sits flat and one that actually moves.

Cluttered desk at night covered in labeled external hard drives and tangled cables, lit by a single desk lamp.

The Revision Cycle Nobody Warns You About

Version chaos and open-ended notes derail more scores than bad writing ever does. Here's how to build a versioning system and scope the revision cycle before it scopes you.
A single typed screenplay page pinned to a corkboard alongside scattered handwritten notes.

Translating Vague Notes Into Concrete Musical Decisions

Directors give emotional notes, not musical ones — "more heroic," "more air," "almost there." Here's how composers translate that language into concrete decisions instead of guessing.
Empty film scoring stage with rows of chairs and a single spotlighted conductor's stand holding sheet music.

Why Your First Cue Is Never the Final Cue

A temp track gets weeks-long head start on a director's ear before your real score ever arrives. Here's how to diagnose what it's actually doing emotionally — and write something that beats it.
Stack of archival tape boxes with handwritten labels like 'Reel 1: Orch. Sessions' and 'Live Gig.'

What a Game Audio Director Actually Wants From Your Delivery

The operational side of scoring games: naming conventions, sample-accurate loops, matched stems, and the documentation that gets composers hired back.
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